A jamming signal located on PandoraвЂ™s moon, that is. As youвЂ™d expect, things donвЂ™t end up going as planned, with the protagonists discovering that a jamming signalвЂ™s existence is preventing them from completing their mission. ItвЂ™s still the same BorderlandsВ gameplay that weвЂ™re used to, with a bazillion weapons, elemental effects and colourful characters to boot.ДЄthena tells the story of how she -В along with three other prospective vault hunters - ended up being propositioned by a smooth-talking Hyperion programmer named Jack.В His request? For them to take a jaunt through space to a particular station. As such, everything that happens does so in the form of a lengthy memory, although that fact doesnвЂ™t change how things play out or really alter the experience at all. Forced to recount the story of exactly what she was up to before being captured, she acts as the seldom-used narrator for this particular tale. Things begin back on the floating rock they call Sanctuary, where Athena (one of the four playable characters) is held captive by familiar faces. As opposed to being the hated villain, heвЂ™s actually your boss. Hopefully you didnвЂ™t get enough of him last time around, because heвЂ™s back in this outing, and appears in a brand new capacity. However, if youвЂ™re new to things, all you really need to know is that he acted as the main villain in that fantastic sequel, and annoyed the Hell out of vault hunters everywhere with his verbal diarrhea. If youвЂ™ve played through the first two games - or at least Borderlands 2 - then youвЂ™ll know of bad guy Handsome Jack. Through this, it tells a tale that we didnвЂ™t know we wanted, and maybe didnвЂ™t need. Instead, it bridges the gap between the two numbered entries that preceded it. You see, Borderlands: The Pre-Sequel! is certainly not Borderlands 3, which is something that fans of the franchise have been wanting for years.

Second is its premise, which is eluded to throughВ what is one of the most creative subtitles ever written. First, thereвЂ™s the fact that, instead of having the majority of its development handled by its seriesвЂ™ talented creators, the game was actually developed in the Land Down Under, by 2K Australia ( BioShock 2). However, although sixty years have passed and itвЂ™s now 2014, the song and its lyrics fit with and foreshadow one of the industryвЂ™s newest blockbusters: Borderlands: The Pre-Sequel! At least as far as IвЂ™m concerned, as the song is the first thing that comes to mind when I think of the game or its title.ДЇollowing in the impressive footsteps of Gearbox SoftwareвЂ™s breakout hit, Borderlands, and its beloved sequel, Borderlands 2, The Pre-Sequel!В is an interesting commodity for two reasons. When Kaye BallardВ sang those words back in 1954, video games as we know them didnвЂ™t exist and were still many years away. вЂњFly me to the moon Let me play among the stars Let me see what spring is like on Jupiter and MarsвЂ¦вЂќ

Borderlands the pre sequel final boss